Project's Concept

Suspended

It was a defining moment in which life turned upside down: when news spread that there was a tourist group in Bethlehem whose members carried the COVID-19 virus. Within hours, panic and chaos spread throughout the Bethlehem governorate and a complete lockdown was imposed on all spheres of life therein. In the beginning, there were high hopes that this would be a passing cloud. However, after months of waiting amidst the ongoing lockdown, an increase of cases and uncertainty of the future, the pandemic began taking its toll on people.

As the official photographer of the Nativity Church, I had the opportunity to be present at the church since the beginning of the lockdown. It was a truly difficult and painful experience seeing the church empty in such an unprecedented manner. In search of a glimmer of hope amidst this state of uncertainty, I decided to wander the streets of Bethlehem and document changes in the lives of tourist sector workers during the pandemic, since this could serve as a memory for the future.

Losses and damages spread from the direct tourist sectors to include other fields as well, such as hospitals, which are supported by tourists and pilgrims who visit them and give them donations. It also affected individuals whose main income is through selling goods to pilgrims and tourists, such as skilled embroiderers. Affected segments also included families who host tourists in their houses.

Bethlehem, the city of Nativity, was on its way to becoming the “Capital of Arab Culture” in 2020. But in the meantime, it is the most affected Palestinian governorate with the highest unemployment rate in the country. Also, in June 2020, the town of Beit Sahour was recognised by UNESCO as a World Craft City in olive wood crafts. However, numerous olive wood workshops stand idle today and this craft is facing tremendous threats and challenges. But despite these difficulties, there still remains some hope under suspension.

Throughout my research, I aimed to shed light on people who were directly or indirectly affected by the pandemic in their everyday lives or economic situations, as well as the effect on their jobs or enterprises. Some of them left the tourist sector for good in an attempt to find an alternative means to earn a livelihood, while others are still waiting for things to improve. Despite the passage of a year since the start of this crisis and the difficulty of predicting its end, I noticed some positivity among those included in this research; many of them still hope and believe that the pandemic will soon come to an end.

Artist Bio

Elias Halabi

Holds a Bachelor of Arts in sociology and psychology from Bethlehem University, and a professional diploma in management and preservation of artistic cultural heritage in the Near East from Vercelli University in Italy. Since 2009, Halabi has made his voice heard as a Palestinian through photography, a tool he found to be strong and effective. Since the beginning of his practice, his photos attracted the interest of the local and foreign press. Through a contract with the Palestinian Ministry of Tourism and Antiquities, Halabi’s work was shown, as a visual and cultural expression, in Milan, Poland, Paris, Madrid, London and Jordan, amongst other places.

In 2011, he won the UNWTO award for the Tourism Poster Competition.

During the last couple of years, his photos have found their way to local and international exhibitions, magazines, websites and books. Through his work with various organisations, NGOs, ministries and consulates, he seeks to show Palestine to the world as he sees it.

Halabi has showed his work in a number of solo and joint exhibitions in Palestine and the world, including “Rural Pearls,” “Behind the Wall” and “Bethlehem Beyond the Wall,” which toured the United States. The latest show he has participated in is “Bethlehem: Between Sight and Insight,” a pre-event for “Bethlehem: Capital of Arab Culture 2020.”